Pattern Nor Painting, Ada Van Hoorebeke

The motifs produced during time-intensive dyeing processes – which uses indigo, urine, and extracts of natural waste materials – are neither conventional fabric nor lace patterns, and they have only a distant relationship to batik painting. Yet, they are simulations and portraits of both.
 
Pattern Nor Painting  starts in a batik Workshop in Bantul, Indonesia where an artist reconnects with her blank canvas and the batik techniques she learned from an artist in Serekunda, the Gambia many years ago. As documented in this publication Van Hoorebeke's installations and performances deftly combine unique textiles and ceramics with production-chain goods, ranging from car parts to strawberry jam. Engaging with ages-old traditions of batik production for present-day communities and settings, her work embodies ancient craft, story-telling, time, female thinking, and above all, a connection to the natural world.

Based in Berlin and founded in 2011, BOM DIA BOA TARDE BOA NOITE is a small independent publishing house — a community of artists, graphic designers, authors, curators, cultural workers, craftsmen and craftswomen; specialising in artist books that are conceptualised as a part of an artwork or as the artwork itself.  They attempt to play with the format of the book and reflect its medium;  all of their books are produced in close collaborations with the artists themselves. Working in the long-standing tradition of alternative publishing practises, their focus is on collaborations with younger, not yet established artists or artists from outside of North America and Western Europe; from outside of an eurocentric discourse.

BOM DIA BOA TARDE BOA NOITE translates to ‘good day, good afternoon, good night’ in Portuguese. The name conveys the idea that books can become an integral part of our everyday life – regardless of the time of day. 

Measures: 28 x 21 cm
Pages: 191
Binding: Softcover