Fake Calligraphy, Ada Van Hoorebeke, Maartje Fliervoet & manoeuvre

Fake Calligraphy is a mobile sculpture consisting of a simple set of metal frames, batik, and tools that are used in repeated collective performances. The sculpture serves as a workshop where patterns based on pseudo-writing are collectively produced. The publication documents a joint making process along with some of the techniques that are applied here, such as dyeing with natural dyes and wax batik.

Fake Calligraphy is an ongoing work made by many participants, developed and facilitated by Ada Van Hoorebeke, Maartje Fliervoet, and the artistic platform manoeuvre. Amongst other places Fake Calligraphy was performed and shown at WIELS Contemporary Art Centre, Brussels, Kunsthal Gent, (Ghent) and at homes and studio’s of contributors in Ghent, Serekunda, Brussels, The Netherlands, and Berlin.

Based in Berlin and founded in 2011, BOM DIA BOA TARDE BOA NOITE is a small independent publishing house — a community of artists, graphic designers, authors, curators, cultural workers, craftsmen and craftswomen; specialising in artist books that are conceptualised as a part of an artwork or as the artwork itself.  They attempt to play with the format of the book and reflect its medium;  all of their books are produced in close collaborations with the artists themselves. Working in the long-standing tradition of alternative publishing practises, their focus is on collaborations with younger, not yet established artists or artists from outside of North America and Western Europe; from outside of an eurocentric discourse.

BOM DIA BOA TARDE BOA NOITE translates to ‘good day, good afternoon, good night’ in Portuguese. The name conveys the idea that books can become an integral part of our everyday life – regardless of the time of day. 

Measures: 34 x 24 cm
Pages: 95
Binding: Softcover