{"title":"Books","description":"","products":[{"product_id":"new-york-living-rooms-dominique-nabokov","title":"New York Living Rooms, Dominique Nabokov","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003ci data-stringify-type=\"italic\" data-mce-fragment=\"1\"\u003eNew York Living Rooms\u003c\/i\u003e is the first instalment in Dominique Nabokov’s holy trinity of interior photography works, re-issued by Apartamento Publishing more than two decades after it was first published in 1998. Originally commissioned as a photo essay for the \u003ci data-stringify-type=\"italic\" data-mce-fragment=\"1\"\u003eNew Yorker\u003c\/i\u003e in 1995, it offers a frank and intimate study of the interior living spaces of some of the city’s most fabled cultural figures, including Susan Sontag, Norman Mailer, Louise Bourgeois, Francesco Clemente, Allen Ginsberg, and Joan Didion.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eWith nothing added and nothing altered, Nabokov calls these images her interior ‘portraits’. Some spaces are indulgent and ostentatious, others shelter the bare necessities, but Nabokov simply records them all for her fellow voyeurs and leaves us to decipher the rest. Long out of print, this updated edition brings back to life an era of New York City history, seen through Nabokov’s original Polaroid photos and the original introduction by English poet James Fenton. It also sets the stage for the following editions in Paris and Berlin. \u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeasures: 24 x 28 cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Hard cover\u003cbr data-mce-fragment=\"1\"\u003ePages: 116\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":40409875185839,"sku":"BOOK-NEW-YORK-LIVING-ROOMS","price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/new-york-living-rooms-cover.jpg?v=1630027002"},{"product_id":"bugis-houses-celebes-ursula-schulz-dornburg","title":"Bugis Houses, Celebes - Ursula Schulz-Dornburg","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1983, \u003c\/span\u003eUrsula Schulz-Dornburg\u003cspan data-mce-fragment=\"1\"\u003e accompanied two ethnologists and an architect on a research trip to Tana Toraja on the central Indonesian island of Sulawesi. Initiated by the Royal Tropical Institute of Amsterdam, the trip was intended to 'explore the changing patterns in architecture and symbolism among the (Tana) Sa‘dan Toraja'. On the way back from Rantepao to Ujung Pandang airport, Schulz-Dornburg passed the distinctive houses of the Bugis or To-Ugiq people, perched on the yellow paddy fields. Fascinated by their complex, expressive architectures, she began to photograph the houses in the short time she had before leaving, realising that the structures would likely not exist in their traditional form for much longer. The result is a body of work that not only surveys the houses’ physical forms but also considers wide-ranging ideas of physical and emotional homebuilding and the precarious place of tradition in the present day.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePoised between heaven and earth and standing above the water when the rice fields are flooded, the Bugis houses reflect the creation myth of their people, in which the gods of the upper and lower worlds came together to create man to populate the uninhabited middle world. The farmers depicted by Schulz-Dornburg are likewise suspended between historic tradition and the impending pressures of the contemporary world. As they go about their work or greet her camera, they and their homes are held in the balance between past and future, mythology and everyday reality.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith these shrewd and sensitive images, Schulz-Dornburg captures life as it is built and lived within a particular culture and landscape, offering a searching reflection on the places we call home. With a text by \u003c\/span\u003eSirtjo Koolhof.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeasures: 16 x 21.5cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Hard cover\u003cbr data-mce-fragment=\"1\"\u003ePages: 64\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":40685208895663,"sku":"BOOK-BUGIS-HOUSES","price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/BugisCover.jpg?v=1632372890"},{"product_id":"la-periode-molle-aubry-broquard","title":"La Période Molle, Aubry \u0026 Broquard","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eBastien Aubry and Dimitri Broquard's\u003cspan data-mce-fragment=\"1\"\u003e work is often based on everyday objects. Through a playful appropriation of design codes, they reinterpret and manipulate mundane objects, often with a tendency towards abstraction, to finally recontextualise them in installation environments they have created themselves.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWithout preconceived ideas or hierarchies, but with humour and nonchalance, they mix the techniques of craft, primitive art, DIY and pop culture. By deliberately displaying a certain dilettantism, which is of course only in appearance, they magnify the beauty of imperfection and, not without irony, celebrate a poetry of failure.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe elaborate manufacturing processes, which combine various artistic techniques in numerous work steps – e.g. image collages, ceramics and digital application – result in formally coherent objects that are sometimes functional, but sometimes seem downright emblematic. The reference to arts and crafts is obvious, but the objects oscillate between utilitarian items and works of art, skilfully exploring the blurred boundaries between the disciplines.\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeasures: 20 x 29cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Soft cover\u003cbr data-mce-fragment=\"1\"\u003ePages: 240\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":40685240746159,"sku":"BOOK-LA-PERIODE","price":72.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/LaPeriodeMolle.jpg?v=1632269857"},{"product_id":"the-art-of-joining-designing-the-universal-connector","title":"The Art of Joining: Designing the Universal Connector","description":"\u003cp\u003eKonrad Wachsmann\u003cspan\u003e played an exceptional role among modern architects in helping to industrialise architecture and fostering the potential this contained for an architectural turn. Wachsmann’s universal wedge connector, invented in the shadow of World War II and applied in the General Panel System in collaboration with \u003c\/span\u003eWalter Gropius\u003cspan\u003e in the US in 1941, was the point of departure for the Bauhaus Lab 2018. The postgraduate program investigated the historical context and the discourses of transatlantic post-war modernism that come together in the metal connector, while also reflecting on the contemporary relevance of the architectural discourse surrounding the “universal connector”. \u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFeatures text by: \u003c\/span\u003eElizabeth Andrzejewski, Regina Bittner, Phillip Denny, Ezgi Isbilen, Eva-Maria Offermann, Adam Przywara, Daniel Springer, Rhiannon Haycock, Lisi Zeininger.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeasures: 14.5 x 10.5cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Soft cover\u003cbr data-mce-fragment=\"1\"\u003ePages: 189\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":40685253460143,"sku":"BOOK-ART-OF-JOINING","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/TheArtOfJoining.jpg?v=1632270205"},{"product_id":"handle-with-care-unpacking-a-bulky-table","title":"Handle With Care: Unpacking a Bulky Table","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhat happens to an everyday object when it becomes part of a museum collection? The table designed by the Bauhaus designer and émigré \u003c\/span\u003eMarcel Breuer\u003cspan data-mce-fragment=\"1\"\u003e for the Isokon Furniture Company in London in 1936, which is today part of the Bauhaus collection at the Victoria and Albert Museum, is used as a case study on the postgraduate research and curatorial programme. While the history of art and design generally focuses on the stylistic classification of objects, the \u003c\/span\u003eBauhaus Lab\u003cspan data-mce-fragment=\"1\"\u003e participants suggest an alternative approach: they investigate the material stories, social practices, and different phases of commodification and ownership that the objects pass through on their way from personal possessions to items in a museum collection. The Lab critically analyses the various modes of social existence embodied in the objects.\u003c\/span\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeasures: 14.6 x 10.6cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Softcover\u003cbr data-mce-fragment=\"1\"\u003ePages: 176\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":40685258604719,"sku":"BOOK-HANDLE-WITH-CARE","price":29.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/UnpackingABulkyTable.jpg?v=1632270291"},{"product_id":"berlin-living-rooms-dominique-nabokov","title":"Berlin Living Rooms, Dominique Nabokov","description":"\u003cp\u003eAfter re-releasing Paris Living Rooms and New York Living Rooms, we’re excited to introduce the reprint of sold-out publication Berlin Living Rooms, by Dominique Nabokov. T\u003cspan data-mce-fragment=\"1\"\u003ehe third and final photographic instalment in the trilogy. It is the culmination of a project that started in 1995 when Tina Brown, then the editor-in-chief of the New Yorker magazine, commissioned me an essay. The idea was to photograph writers’ rooms without the writers present. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"I decided it would be more revealing and, above all, more exciting to feature the living rooms of a varied mix of prominent New Yorkers. Little did I know that this essay, which awoke a keen interest when it appeared in an October 1995 issue of the New Yorker, would take me on a photographic journey that would produce three books and that ends today in 2017!\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBerlin Living Rooms features original photography by Dominique Nabokov and texts by American novelist Darryl Pinckney and ZEIT magazine editor Christoph Amend.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eMeasures: 24 x 28.5 cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Hard cover\u003cbr data-mce-fragment=\"1\"\u003ePages: 120\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":40863727354031,"sku":"BOOK-BERLIN-LIVING-ROOMS","price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Berline-Living-Rooms.jpg?v=1634702725"},{"product_id":"paris-living-rooms-dominique-nabokov-1","title":"Paris Living Rooms, Dominique Nabokov","description":"\u003cp class=\"p1\"\u003e\u003cem\u003eParis Living Rooms\u003c\/em\u003e\u003cspan\u003e has been re-released \u003c\/span\u003ealmost two decades after it was first published in 2002. The second instalment in Dominique Nabokov’s holy trinity of interior photography works, it also follows the re-release of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNew York Living Rooms\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eearlier this year. Nabokov calls these images her interior ‘portraits’ and across 132 pages we’re offered an intimate study of Parisian society from the early 2000s, with the living spaces of Yves Saint Laurent, Nan Goldin, Gérard Depardieu, Carine Roitfeld, Yvon Lambert, and Andrée Putman, plus many others, featured throughout.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith nothing added and nothing altered, Nabokov simply records these spaces for her fellow voyeurs and leaves us to decipher the rest. Long out of print, this updated edition brings back to life an era of the city’s history, seen through Nabokov’s original Polaroid photos, together with the original introduction by the late interior designer Andrée Putman.\u003c\/p\u003e\n\u003cp\u003eMeasures: 24 x 28.5 cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Hard cover\u003cbr data-mce-fragment=\"1\"\u003ePages: 132\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":40863757926575,"sku":"BOOK-PARIS-LIVING-ROOMS","price":100.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Paris-Living-Rooms.jpg?v=1634702886"},{"product_id":"boletim-arquitectura-architecture","title":"Boletim Arquitectura \/ Architecture","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing the example of the French and English railway companies, the CP (Portuguese Company) promoted between the decades of 1910 and 1920 the construction of buildings for housing and social facilities to support its employees and their families. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the first quarter of the 20th century, the Boneco neighbourhood, destined for retired railway workers, and Vila Verde, aligned with the Camões neighbourhood, stand out. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe latter, built in 1926, was designed by Cottinelli Telmo and Luís da Cunha. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll these neighbourhoods are located in the city of Entroncamento. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis city was born by the railway, the station being the first building, at the time a small barrack (1862). \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis equipment caused a large migratory flow from the interior of Portugal to work in the Company. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs a consequence, the CP \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003edrew up a plan that included a series of social support structures with a unique dimension at the national level. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis program generated the creation of neighbourhoods for employees, a school, a supply warehouse and a tuberculosis dispensary that functioned as a health centre and also encouraged the development of sports activities. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt the same time, with the evolution of technologies and the development of railway activities, the office area was expanded, reinforcing the training of personnel, which had its peak in the creation of a training centre, today designated FERNAVE, a huge building of a new plant built for these functions and which housed the Higher Institute of Transport. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFragment of the text Boletim by Carla Filipe. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMeasures: 22 x 14.5 cm\u003cbr\u003ePages: 46\u003cbr\u003eBinding: Soft cover\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":40891739078831,"sku":"BOOK-BOLETIM-ARCHITECTURE","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Boletim-Cover.jpg?v=1638394008"},{"product_id":"start-over-every-morning","title":"Start Over Every Morning","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue of Steve Bishop's solo exhibition 'Start Over Every Morning' (2019) at Kunstverein Braunschweig:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn his artistic practice Steve Bishop explores how mental states can be materialised and conveyed in space, through installations often involving personal belongings and mementos. By subtly distorting familiar, often intimate domestic scenarios, Bishop creates intermediate worlds in which concepts of time are suspended, and clear boundaries between private and public space, exhibition and non-exhibition are blurred.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the exhibition, we encounter the remnants of a celebration recently passed. Constructed in the main room is a simple white kitchen, which surreally extends over the entire length of the space. Here, the profoundly everyday nature of the counter meets the attempt to grasp abstract concepts of infinity. A blankness pervades the room which is punctuated by a few scattered objects: leftover cake is carefully stowed away in Tupperware boxes, recordings of jazz instrumentals drift out from a radio, and outside garden furniture is already tucked in under its plastic cover. A longing to preserve fleeting situations repeatedly arises, no matter how temporary the moment might be. In a second room, found photographs are framed together with pages of text taken from a largely forgotten self-help organisation called Re-evaluation Counselling. Slogans call for self-empowerment and optimisation, and one might also discern from the neat surroundings that a desire for structure, for inner and outer clarity, seems to be as desirable as it is acutely endangered.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMeasures: 21.5 x 28 cm\u003cbr\u003ePages: 118\u003cbr\u003eBinding: Soft cover\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":40891749695663,"sku":"BOOK-START-OVER-EVERY-MORNING","price":39.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Start-Over-Cover.jpg?v=1638394513"},{"product_id":"earth-cafe","title":"Earth Café","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEarth Café is an interactive culinary flipbook for all ages. The book invites the reader to scramble and rearrange dishes from around the world, revealing an expansive* glossary of invented culinary creations. It offers a new knowledge of food: its locality, substances, accidents and boundaries are suddenly as fluid as the imagination itself.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe 35 dishes that make up the book– chimichurri, hamburger, chorizo, spumoni, etc.– are sourced from around the world and defined (using words\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand images) in very simple terms. 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The international research group explored self-building using materials that would present an alternative to the functionalistic logic of development aid programmes tied to the Western construction industry. The “Other Half” – a term that was coined to describe decolonized countries and urban populations living in informal housing at the time – was the focus of their experiments with alternative building solutions. Beginning with an understanding of how and why the block was made, its actual usage, and its afterlife and going on to examine its archival status and symbolic relevance within architectural historiography, shaped by a paradigm shift in our overall view of 'Habitat', the book shows how the block became both a vessel and vector for the projections and questions explored by the transdisciplinary group of the Bauhaus Lab 2020.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith texts by Mya Berger: Curator, Switzerland and Morocco. Leticia M. Brown: Designer and Researcher, United States. David Davalos: Architect, Ecuador. Ines Glowania: Information Designer, Germany. Denisa Kollarová: Graphic Designer, Slovakia. Maryia Rusak: Architect, Belarus. Martha Schwindling: Product and Exhibition Designer, Germany. Léonie Thiroux: Design Historian, France.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeasures: 10.5 x 14.5cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Softcover \u003cbr data-mce-fragment=\"1\"\u003ePages: 144\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":40902775144623,"sku":"BOOK-A-CONCRETE-FOR-THE-OTHER-HALF","price":29.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/AConcreteForTheOtherHalf.jpg?v=1645499586"},{"product_id":"spring-summer-autumn-winter-nigel-peake","title":"Spring-Summer, Autumn-Winter, Nigel Peake","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'Mitosaya is a distillery founded by Hiroshi Eguchi, located in Chiba prefecture, a few hours outside of Tokyo. It use to be a botanical garden. I have visited twice, both times in late autumn. Each visit to Mitosaya was as if dropping into a small new world, one that Hiroshi and his family have shaped. The drawings presented in these two slim volumes have been made as labels for Mitosaya’s brewing this year.'\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt’s hard to summarise the work of artist – or as he has suggested it ‘drawer’ – \u003c\/span\u003eNigel Peake\u003cspan data-mce-fragment=\"1\"\u003e because there is so much of it and it’s varied. Nigel, who grew up in Ballytrustan (County Down) and currently lives between there and Paris, originally studied architecture in Edinburgh for six years and in 2013 lived in Switzerland for a period to teach an architectural studio. In the past 10 years he’s written and drawn 50 books, published by Princeton Architectural Press, Yvon Lambert or by himself. His work is based on places he has visited. His clients include Hermès, Flos, Rapha, and Luca Guadagnino. His work has been exhibited in Tokyo, New York and Paris.\u003c\/span\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeasures: 19.5 x 25.5cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Soft cover \u003cbr data-mce-fragment=\"1\"\u003ePages: 16\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":40902809780399,"sku":"BOOK-SPRING-SUMMER-AUTUMN-WINTER","price":48.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Cover_6259d5ad-5739-4ce7-ba72-119f53e3fce6.jpg?v=1635374586"},{"product_id":"crayon-pinceau-ronan-bouroullec","title":"Crayon-Pinceau, Ronan Bouroullec","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eCrayon-Pinceau features a small selection of Ronan Bouroullec\u003cspan data-mce-fragment=\"1\"\u003e’s recent drawing. 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It is composed of drawings that I made in 2013. The cover instead was designed in 2019 in relation to the exhibition in Leipzig. I wanted it to be in contrast with the gentle drawings inside.”\u003c\/i\u003e – Nathalie Du Pasquier\u003cbr\u003e\u003cbr\u003eNathalie Du Pasquier’s work is at the interface of design and fine art. She was a founding member of the designer's group Memphis for which she designed numerous textiles and carpets, along with objects and furniture. Since 1987, Nathalie Du Pasquier has increasingly devoted herself to painting. Most of her paintings describe the relationship between shapes, objects and spaces. The space and the work form an inseparable whole. Various objects reappear as protagonists in different contexts of her work. The journey through her work is a journey through the world of her things. 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Now these things, often forgotten about, but nevertheless populating our world, can be grasped by pondering wonderful and ample questions. 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Visually, the issue is bursting with references and ideas, reclaiming image material from left and right, while unveiling the structure of a book with three booklets of different sizes all assembled into one.\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeasures: 15 x 20cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Soft cover \u003cbr data-mce-fragment=\"1\"\u003ePages: 56\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":40902854049967,"sku":"MAG-MONO-ISS-32","price":18.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Cover.jpg?v=1645506642"},{"product_id":"structure-series-philippe-wei","title":"Structure Series - Philippe Weisbecker","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI don’t only focus on jazz musicians. I also paint my family or iconic personalities such as Félix Trinidad, Sister Gertrude Morgan, Amadou Diallo and The Notorious B.I.G. who in one rendition is carrying the cross with Etta James as an angel. In a painting collage of Biggie, I placed a Tropicana Juice packaging where a handkerchief would be. With the jazz musicians I’d do the same; I collage cereal and cracker boxes to the subject matter. This reflects my belief that music is fortifying. –\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e Armando Alleyne.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Few of My Favorites\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the first book of collected works by New York artist, \u003c\/span\u003e\u003cspan\u003eArmando Alleyne\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e. 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He recalls wandering the tarmac, studying the underside of the wings and fuselage; he remembers riding in the cockpit on an overbooked flight en-route to a Euro Cup final; he flaunts an almost encyclopaedic knowledge of new, old and mothballed commercial airplanes – the Lockheed Super Constellation, Douglas DC-8 Stretch and the Boeing 737-MAX among them.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBoarding Pass\u003c\/i\u003e, Marcopoulos’ new book for Nieves and Perimeter Editions, takes this experience of flight, and the machines that make it possible, as its defining motifs. Photographed over the last year while in transit, the characteristically intuitive, off-the-cuff images that populate this volume offer countless vantages – near and far – of airplanes on the tarmac or in flight, rerouting our gaze from the pragmatic and economic towards the poetic. 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On a voyage, a ship’s crew registers surroundings and important events in a manner such as this. The cargo contained within this edition is an assemblage of materials provided by over 60 practitioners from a variety of professions and personal backgrounds, and is therefore heterogeneous in terms of language, form and content.\u003c\/p\u003e\n\u003cp\u003eThe resulting narratives emerge across the pages in the trails left by individuals and collectives of human beings as they move, teach, learn and unlearn, traversing the various apparatuses that determine their agency. In this way, the term navigation is activated, implicitly and explicitly on myriad levels such as the biographical, historical, epistemological, technological and the aesthetical. 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While stylistic references include turn-of-the-century Nordic figurative painting, folk art and local or contemporary vernacular imagery, her evocative use of pictorial space and her juxtapositions of thick paint and textured washes is uniquely her own.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHer subject matter revolves around evocative, melancholic landscapes and nondescript, private interiors. Mamma Andersson was born 1962 in Luleå, Sweden. She lives and works in Stockholm. Published by Nieves (Zurich).\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMeasures: \u003cmeta charset=\"utf-8\"\u003e19.5 x 25.5cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBinding: Soft cover \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages: 20\u003c\/span\u003e\u003c\/p\u003e\n\u003cstrong\u003e\u003c\/strong\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":41086654021807,"sku":"BOOK-SKULPTUR","price":29.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Skulptur-Cover.jpg?v=1643945875"},{"product_id":"paris-ceramique-bastien-aubry-dimitri-broquard-adrien-horni-thomas-mailaender","title":"Paris Céramique, Bastien Aubry, Dimitri Broquard, Adrien Horni \u0026 Thomas Mailaender","description":"\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eParis Céramique\u003c\/i\u003e features the works of Bastien Aubry, Dimitri Broquard, Adrien Horni and Thomas Mailaender realized at an amicable meeting organized by Mailaender in the spring of 2013 in Paris. The 23 plates in this book are arrangements of ceramic objects created by the four artists, a reflection of France in the XXI century.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBastien Aubry (1974) and Dimitri Broquard (1969) live and work in Zurich. At the core of their practice is the construction of compelling environments that combine craft and design to create art. Their work, at once humorous and precarious, is motivated by the poetry of failure and the beauty found in the less-than-perfect. Much of their work features misshapen ceramic objects, such as jugs or pipes, which are placed on perfectly symmetrical displays, offering a clear vision of art in opposition to design, their secondary profession.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAdrien Horni (1982) lives and work in Biel. He is the publisher of \u003cem data-mce-fragment=\"1\"\u003eTurbo Magazine\u003c\/em\u003e and works as one part of the artist duo Linus Bill and Adrien Horni. They have been working together since 2011 on large-scale works that blend collage, painting, reproduction, printing, scanning, photography among other mediums, as well as on various publications just as much hybrid as their large compositions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThomas Mailaender (1979) lives and works between Paris and Marseille. Mailaender uses humour as provocation, making work that reveals the absurdity of the everyday and pokes fun at the pretensions of the art-photography world. He delights in hoaxes, pranks, elaborate and sometimes willfully amateurish charades. Thanks to Nieves (Zurich). \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMeasures: \u003cmeta charset=\"utf-8\"\u003e22 x 32cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBinding: Soft cover \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages: 24\u003c\/span\u003e\u003c\/p\u003e\n\u003cstrong\u003e\u003c\/strong\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":41086655627439,"sku":"BOOK-PARIS-CERAMIQUE","price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Paris-Cover.jpg?v=1643945926"},{"product_id":"the-modern-architecture-of-cadaques-1955-71","title":"The Modern Architecture of Cadaqués: 1955–71","description":"\u003cp\u003eBy Nacho Alegre, with an introduction by Oscar Tusquets and afterword by Marc Arnal.\u003c\/p\u003e\n\u003cp\u003eInspired by the early style of Corbusier and ideas on Mediterranean architecture espoused by the likes of Bernard Rudofsky and Josep Lluís Sert, a younger generation of architects found the perfect conditions to explore the future of the Mediterranean house in Cadaqués—a small fishing village on the Spanish Costa Brava that was also home, or the summer meeting ground, for some of the past century’s greatest artistic figures, including Dalí, Picasso, Miró, and Duchamp.\u003c\/p\u003e\n\u003cp\u003eIn this new book, photos from the period show the distinctive style and environment of Cadaqués and 22 homes designed by Federico Correa, Alfonso Milà, José Antonio Coderch, Francesc Joan Barba Corsini, Peter Harnden, Lanfranco Bombelli, Oscar Tusquets, and Lluís Clotet. Written and edited by Nacho Alegre, it features an introduction by Oscar Tusquets and afterword by Marc Arnal also tells of the friendships and influences that existed between this group of architects, and how their architecture came to be.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeasures: 240 x 284 mm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Hard cover\u003cbr data-mce-fragment=\"1\"\u003ePages: 246\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":41196411420847,"sku":"BOOK-MODERN-ARCHITECTURE","price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Modern-Architecture-Cover.jpg?v=1642480706"},{"product_id":"desk-in-exile","title":"Doors of Learning - Microcosms of a Future South Africa","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1988, a seminar was held at the Bauhaus Dessau as part of the UN-HABITAT programme that dealt with questions of housing construction in 'developing countries'. A prefabricated building system developed by GDR architects was presented here, which was used for the first time in an education and development centre of the African National Congress (ANC) in Dakawa, Tanzania. The educational centres that have been set up in rural Tanzania since the 1970s with the support of international solidarity movements were learning and living spaces for people who had fled the brutal regime of racial segregation in South Africa. These centres were also unique sites of transnational encounters between East and West during the Cold War. Why education in particular was key to building a new democratic society is the focus of the publication.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe small and handy books, designed by the Berlin-based graphic designer Eike König, accompany the exhibitions and are also intended as practical guidebooks for the Bauhaus buildings.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeasures: 10.5 x 14.6cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Soft cover \u003cbr data-mce-fragment=\"1\"\u003ePages: 148\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":41512939126959,"sku":"BOOK-DOORS-OF-LEARN","price":29.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/files\/Doors_Of_Learning_1.jpg?v=1700692764"},{"product_id":"cross-cultural-chairs","title":"Cross Cultural Chairs","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe anatomy of our bodies requires sitting; but do we design seats in the same way? Has our meaning of sitting been colonised by Modern design? And how is the diverse, social-cultural act of sitting itself reflected in this functional commodity?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn observing and analysing social and cultural differences through chairs from eight cultures in the most populated countries, Sicilian designer \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatteo Guarnaccia\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e went on a field research to portray each country, in collaboration with selected local design studios, to situate each cultural context into the form of a chair. This project diversifies the supposedly mundane parts of chair-culture and chair design, to open the conversation of identity, community and a reality divided into a global and local conglomerate expression through chairs.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMeasures: 17 x 24cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBinding: Softcover \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages: 354\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":41512967012527,"sku":"BOOK-CROSS-CULTURAL-CHAIR","price":59.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Cross-Cultural-Chairs-Cover.jpg?v=1650795432"},{"product_id":"shape-of-things-david-hare","title":"Shape of Things, David Hare","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWith David Hare, magic becomes the hereafter of sculpture, it is a manner of suggesting that man is always ahead of himself and that the world is, at the same time, completely given, in the mathematical sense of the world, and completely to be made.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is just one line of a lengthy essay Jean-Paul Sartre wrote on an artist who lived and loved in the midst of the formative creative movements of the 20th century. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Shape of Things\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e introduces the painting and sculpture of Hare, an artist who followed a unique artistic career, influenced by, but distinct from, his renowned peers.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid Hare was born into the art world in New York in 1917; his mother was a collector and his parents associated with artists including Constantin Brâncuși, Walt Kuhn and Marcel Duchamp. Throughout his life he encountered and collaborated with extraordinary figures such as André Breton, Yves Tanguy and Alexander Calder – and with his striking, gaunt features he epitomised the era’s male creative ideal. After an initial foray into experimental photography and running a photography studio, Hare developed an oeuvre in two and three dimensions. \u003cem\u003eThe Shape of Things\u003c\/em\u003e shows a selection of some forty works, on paper, canvas and in sculpture. A subtly playful graphic presentation allows the works to speak on their own terms: formal connections are generated between works across decades and various media. The materials themselves are laid bare, as seen by the photographers. We learn too of subjects and motifs that engaged Hare throughout his life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThanks to success during his lifetime, David Hare works belong to the collections of the Metropolitan Museum, New York, the Hirshhorn Museum and Sculpture Garden, Washington D.C. and numerous other esteemed institutions. It is scarcely to be believed that an artist who exhibited multiple times at the Peggy Guggenheim Gallery in New York, at the Hayward in London or, for example, featured in a three-hander show at the Contemporary Arts Museum Houston alongside Ed Ruscha and Agnes Martin, is so little known today. This publication returns Hare’s work once more to the public eye.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eMeasures: \u003cmeta charset=\"utf-8\"\u003e23 x 30.5cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Soft cover \u003cbr data-mce-fragment=\"1\"\u003ePages: 56\u003c\/span\u003e\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":41521818632367,"sku":"BOOK-SHAPE-THINGS","price":77.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Shape-of-Things-Cover.jpg?v=1650795469"},{"product_id":"niemeyer4ever-giovanna-silva","title":"Niemeyer4ever, Giovanna Silva","description":"\u003cp\u003e\u003cspan\u003eIn the early 1960s Oscar Niemeyer designed a complex in Tripoli that was intended to serve as a large exhibition centre and to be part of the Tripoli International Fair.\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003cspan\u003eThe location used to be an immense \/\u003c\/span\u003e\u003cspan\u003evast orchard, full of oranges. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNow here lies an abandoned complex of 15 structures, including \/ which include an outdoor theatre, a concert hall, an atrium, an arch, a heliport and lodgings.\u003c\/p\u003e\n\u003cp\u003eThe site is an example of futurist modernist architecture, unfortunately led to decay. 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Photographer Giovanna Silva visited the site and documented what is left, capturing the atmosphere, the fading colours, the leftover stones but nonetheless showing us the grandeur of what was once the centre of Tripoli’s architecture.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMeasures: 20 x 27cm \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages: 68\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBinding: Soft cover\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":41577408626863,"sku":"BOOK-NIEMEYER-GIOVANNA","price":66.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Niemeyer4ever-Cover.jpg?v=1651628768"},{"product_id":"100-chairs-in-100-days-and-its-100-ways-martino-gamper","title":"100 Chairs in 100 Days and its 100 Ways, Martino Gamper","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eDocuments a project from Italian designer Martino Gamper, initially exhibited in 2007, which he described as a “3D drawing project”, presented here in its fourth edition and fourth size. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor this exercise, Gamper aimed to create 100 chairs in 100 days by reconfiguring objects retrieved over a two year period, resulting in a collage of design history, converting the character and features of the chairs as a means to investigate the potential merger of several stylistic and structural elements. 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They have realised about 650 projects in their lifetime; in Zurich these include the Da-Capo-Bar, the new main train station, the boutique Weinberg and the Kronenhallenbar.\u003c\/p\u003e\n\u003cp\u003eThe year 1967 marks their marriage and the establishment of their joint office Allgemeine Entwurfsanstalt. It is also the year they began working together, a collaboration which has brought forth works breaking with the dogmas of entrenched architectural practices. In addition to designing buildings and furniture, they have developed a rich theoretical œuvre that is presented for the first time in this publication. This book will form the basis for any future assessment of their work.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003eMeasures: 17.2 x 23.4cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Soft cover \u003cbr data-mce-fragment=\"1\"\u003ePages: 180\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":41783271719087,"sku":"BOOK-TRIX-ROBERTH","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Trix-_-Robert-Haussmann-Cover.jpg?v=1658475310"},{"product_id":"a-life-in-design-miguel-mila","title":"A Life in Design, Miguel Milá","description":"\u003cdiv class=\"column\"\u003e\n\u003cp\u003eMiguel Milá is considered one of Spain’s first and most influential industrial designers. Starting out as an interior designer amid the country’s early modernist movement, Milá began making the objects he needed but couldn’t yet find on the market. He took raw and renewable materials and crafted prototypes by hand, occasionally evolving designs to perfect his now-iconic lighting and furniture.\u003c\/p\u003e\n\u003cp\u003eMiguel Milá: A Life in Design\u003cspan\u003e \u003c\/span\u003eis a detailed look back through his most emblematic works, produced between 1956 and 2021, with archival photos and drawings, as well as original photos shot at Milá’s Barcelona home by Nacho Alegre. Introducing the book is seminal English designer Jasper Morrison, while the products are catalogued and described by design academic Francisco Gaspar Quevedo, who also contributed a biographical text on Miguel’s life, career, and the principles that sprang from both.\u003c\/p\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMeasures\u003c\/span\u003e: 295 x 240mm\u003cbr\u003eBinding: Softcover\u003cbr\u003ePages: 160\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42019167764655,"sku":"BOOK-THINK-MIGUELMILA","price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Miruel-Mira-A-Life-A-In-Design-Cover.jpg?v=1663656589"},{"product_id":"a-life-with-art-trix-robert-haussmann","title":"A Life with Art Trix, Robert Haussmann","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrix and Robert Haussmann are well known both in Switzerland and internationally for their vast contribution to design and interiors. Living and working together since the ‘60s, symbiotically creating and also sharing wonderful interiors filled with works of art and beautiful objects, one can think of them—and the spaces they inhabit—as an ever-evolving ‘double self-portrait’.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Haussmanns have had close ties to the avant-garde of their time, have followed the various trends and artistic currents and have actively participated in the local scenes of Zurich or Bern. Through documenting their numerous exchanges and conversations with artists, dealers and creative kindred spirits, this book is a testimony of their lifelong interest in the visual arts, their active, enthusiastic and witty involvement with the Swiss art scene as well as their rather playful commitment to it.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA conversation with Swiss author and curator Dieter Schwarz reveals a number of events and anecdotes that also attest to the couple’s fascinating life with art which they have collected intuitively rather than with a particular strategy in mind throughout their lives and careers. The numerous photographic documents of their unique and somewhat exuberant interiors that span almost five decades and several homes are exemplary both of the distinctive way in which Trix and Robert Haussmann welcome works of art into their everyday lives alongside their furniture—including their own— and their various artefacts as well as of their very personal and playful use of mirrors.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003eMeasures: 18 x 14cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Soft cover \u003cbr data-mce-fragment=\"1\"\u003ePages: 168\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42126437777583,"sku":"BOOK-ART-TRIX-ROBERT","price":64.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Art-Trix-Robert-Haussmann-Cover.jpg?v=1668211828"},{"product_id":"ludwig-grote-and-the-bauhaus-idea-the-bauhaus-reception-in-west-germany","title":"Ludwig Grote and The Bauhaus Idea: The Bauhaus Reception In West Germany","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eLudwig Grote\u003cspan data-mce-fragment=\"1\"\u003e had an almost unparalleled influence on the conception of the Bauhaus, helping shape an idea that extended far beyond the historical existence of the school. The book, which draws on documents from his estate in the German Art Archive at the Germanisches Nationalmuseum in Nuremberg, is the first comprehensive study of Grote’s activities as an ambassador for the Bauhaus. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHere his problematic connections with the Nazi cultural scene and art establishment, in particular his involvement in the art trade in Munich from 1939 to 1945, are addressed, as is his influential position in the making of arts policy in post-war West Germany. The consonance of all the different contributions, which include a detailed biography and a list of the texts and books he published, creates a complex and unprecedented overall picture of an inspiring and contradictory Bauhaus art historian.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eMeasures: 17 x 24cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Soft cover\u003cbr data-mce-fragment=\"1\"\u003ePages: 256\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42126784102575,"sku":"BOOK-LUDG-BAUH","price":64.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Ludwig-Grote-_-the-Bauhaus-IdeaCover.jpg?v=1668220051"},{"product_id":"jb-blunk-cups-plates-bowls-sculptures-ceramics-1950-1999","title":"JB Blunk - Cups, plates, bowls \u0026 sculptures: Ceramics 1950-1999","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWood. Clay. Stone. Spirit. These are the elements from which JB Blunk created his work, and a more elemental artist of the postwar era would be hard to find. \u003c\/span\u003eBlunk proceeded through sheer instinct and in deep conversation with nature; his art was the ultimate expression of a Life Lived off the grid.\u003c\/p\u003e\n\u003cp\u003eJB Blunk writes Cups, plates, bowls and sculptures - ceramics between 1950 and 1999. This catalogue was published to accompany the exhibition of Blunk's work in Tokyo, (November 2016). Features ceramics included in the exhibition along with photos of Blunk in Japan from the 1950s and a short essay by Mariah Nielson.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePages: 64\u003cbr data-mce-fragment=\"1\"\u003eSize: 170 mm x 250 mm\u003cbr\u003eQuality: Newsprint \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42158039269551,"sku":"BOOK-CERAMICS-JB","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/JBBLUNK_001.jpg?v=1669336605"},{"product_id":"the-house-of-xavier-corbero","title":"The House of Xavier Corberó","description":"\u003cp\u003eXavier Corberó (1935–2017) is among the foremost Spanish artists of the last century. His sculptures in rough-hewn stone, marble, and bronze gave form to ideas running through a circle of contemporary surrealist artists, including Salvador Dalí, Marcel Duchamp, Max Ernst, and Joan Miró, but with pieces distinctly his own. His works are widely and internationally celebrated in institutions like London’s V\u0026amp;A and New York’s The Met, but maybe his greatest artwork is located on the outskirts of Barcelona in the form of the home he built for himself over a period of five decades, a series of labyrinthine rooms, levels, buildings, and arches that he continually added to whenever money came his way, conceiving new plans on morning strolls with the local builder.\u003c\/p\u003e\n\u003cp\u003eThe House of Xavier Corberó, edited by his daughter Ana Corberó, is the first publication to explore this home in Esplugues de Llobregat, which soon looks to be sold. With original photography by Daniel Riera, it also features a series of texts by long-time friends and colleagues of the artist: the architects Ricardo Bofill and Josep Acebillo, program director at World Architecture Festival Paul Finch, artist and journalist Celia Lyttelton, RBTA director Pablo Bofill, as well as an interview with Corberó himself by the filmmaker Albert Moya, originally published in issue #16 of Apartamento magazine.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMeasures: 240 x 285mm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eBinding: Hard cover\u003cbr data-mce-fragment=\"1\"\u003ePages: 224\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42163559137455,"sku":"BOOK-XAVIER-CORBERO","price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Book-The-House-Of-Xavier.jpg?v=1669678154"},{"product_id":"praxis","title":"Praxis, Agustín Hernández","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e‘It was only after the Mexican War of Independence that the Indian fountain sprang forth. Only after the Spanish crown was expelled did the zeitgeist of Mexican art look to its ancient past with overdue awe. Ever since, painters, writers, and architects have drawn inspiration from this bloodline. Mexican modernism and muralism both took the pre-Hispanic undercurrent and blended it with the sensibility of their time, in the pursuit of national identity. From a vein out of this river emerged Agustín Hernández’.\u003cbr\u003e—Tezontle Studio \u0026amp; Luis Orozco Madero\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePraxis, Agustín Hernández\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the fourth book in a series devoted to some of our favourite architects, the houses they build, and the stories behind them.\u003c\/p\u003e\n\u003cp\u003eBorn in 1924, Agustín Hernández came of age as an architect in Mexico as modernist ideas coalesced with a renewed pride in the country’s past. He was a frontrunner in combining the symbols, myths, and urban planning principles of pre-Columbian civilisations to create imposing architectural monuments that even today retain their avant-garde nature—from the military academy he built as a modern-day Mayan ceremonial ground to the remote meditation centre commissioned by his sister, based on the symbolism of the snake, and the studio-home that he built for himself in 1975: Praxis, a geometric treehouse that still towers over the Bosques de las Lomas neighbourhood of Mexico City.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eOriginal photography by Ryan Lowry. Texts by Tezontle Studio \u0026amp; Luis Orozco Madero, Carlota Pérez-Jofre, and Enrique Giner de los Ríos.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMeasures: \u003cmeta charset=\"utf-8\"\u003e170×240 mm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eBinding: Hard cover\u003cbr data-mce-fragment=\"1\"\u003ePages: 88\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42163559563439,"sku":"BOOK-PRAXIS","price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/BOOK-PRAXIS-AGUSTINE.jpg?v=1669678110"},{"product_id":"acts-of-appearances-gauri-gill","title":"Acts of Appearances - Gauri Gill","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eActs of Appearance\u003c\/em\u003e assumed its form within a village of Adivasi papier-mâché artists from the Kokna and Warli tribes in Palghar district. Further inland from Dahanu, it is one of the most impoverished districts in Maharashtra, India. Gill’s collaborator-subjects are renowned for their papier-mâché objects, including traditional sacred masks made for the yearly Bohada procession. In these pictures the artists as well as other local volunteers engage in everyday village activities while wearing new masks, made by them expressly for this body of work beginning in 2014. The new creations depict living beings with the physical characteristics of ordinary humans, commonplace animals, or valued objects. A range of scenarios and narratives, situated in both “reality” and dreamlike states, come together in the photographs, which simultaneously portray symbolic or playful representations as well as the familiar experiences of community members against the backdrop of their home and culture.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eActs of Appearance\u003c\/em\u003e was created as a community project with the following artists: Bhagvan Dharma Kadu, Subhas Dharma Kadu, Yuvraj Bhagvan Kadu, Rahul Arvind Kakad, Madhuri Subhas Kadu, Vaibhav Subhas Kadu, Rahul Bhagvan Kadu, Makhaval Bhagvan Kadu, Mukta Subhas Kadu, Rangeeta Arvind Kakad, Sampat Raho Vazare, Gangubai Eshwar Vazare, Rajashri Eshwar Vazare, Darshana Devram Kakad, Ganesh Ganpat Lokhande, Sangeeta Ganesh Lokhande, Sangeeta Navnath Kadu, Kusum Bhagvan Kadu, Harishchandra Rama Kadu, Suvrna Harishchandra Vad, Anjana Sachin Kurbude, Sachin Sankar Kurbude, Sanjay Sakharam Vatas, Ganpat Ganga Lokhande, Rupesh Arvind Kakad, Nalini Pradip Valvi, Jyoti Sanjay Vatas, Shravan Budhya Tumbda, Saraswati Subhas Kadu, Sapna Bhagvan Kadu, Bhawna Bhagvan Kadu, Pooja Arvind Kakad, Tushar Prakash Vatas, Tushar Dinkar Vatas, Vijaya Navnath Kadu, Suraj Tukaram Vad, Nishant Tulshiram Thalkar and Nilam Sunil Marad.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eMeasures: 30.5 x 20.5cm\u003cbr data-mce-fragment=\"1\"\u003eBinding: Softcover\u003cbr data-mce-fragment=\"1\"\u003ePages: 180\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42187706007727,"sku":"BOOK-ACTSOFAPPEARENCES","price":125.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/FRONT.1.jpg?v=1670890775"},{"product_id":"tante-simone-dominique-nabokov","title":"Tante Simone - Dominique Nabokov","description":"\u003cdiv class=\"column\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e‘I wanted to make this book—this memoir, this memory of the house of someone who had meant a great deal to me, to us all, and of a universe which was a sort of laboratory for what I was to become’.\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e—Dominique Nabokov\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePhotographer Dominique Nabokov was raised by her aunt Simone from the age of four, in a detached house surrounded by a modest garden in the French town of Compiègne. Those formative years would be a blend of everydayness—from picnics to car rides in the family’s Deux Chevaux—and of vivid daydreams propelled by her fascination with Hollywood and its stars. After her aunt’s death in 1999, Dominique decided to photograph the house, as it was left, to keep a record of the place where it all began and a memory of the person behind it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s1\"\u003eThis book follows Dominique’s celebrated \u003ci\u003eLiving Rooms\u003c\/i\u003e series, which intimately portrayed the interior worlds of the cultural nomenclature in \u003ca href=\"https:\/\/panafter.com.au\/collections\/books\/products\/new-york-living-rooms-dominique-nabokov\"\u003eNew York\u003c\/a\u003e, \u003ca href=\"https:\/\/panafter.com.au\/products\/paris-living-rooms-dominique-nabokov-1?_pos=1\u0026amp;_sid=9390877f4\u0026amp;_ss=r\"\u003eParis\u003c\/a\u003e, and \u003ca href=\"https:\/\/panafter.com.au\/collections\/books\/products\/berlin-living-rooms-dominique-nabokov\"\u003eBerlin\u003c\/a\u003e, three pivotal cities for the photographer. The publication of these volumes, born out of a series originally commissioned by the \u003ci\u003eNew Yorker\u003c\/i\u003e in the ‘90s, renewed an appreciation for the French photographer. This is Apartamento Publishing's fourth collaboration in a relationship that spans more than a decade, and is Dominique’s most personal project to date. The photographs are accompanied by a vivid memoir, written by Gini Alhadeff from an interview with Dominique, to give a glimpse into her generally unknown and extraordinary life story.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003eDimensions: 285 x 240mm\u003cbr\u003eBinding: softcover\u003cbr\u003ePages: 116\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42401084178607,"sku":"BOOK-TANTE-SIMONE","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/products\/Tante_Simone_Cover.jpg?v=1679457557"},{"product_id":"innesto-rubbing-up-the-wrong-tree-martino-gamper","title":"Innesto, Rubbing Up The Wrong Tree, Martino Gamper","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGrafting is used when a gardener wants to grow a new branch onto an established plant. The graft can lead the specimen to generate something very different out of its original form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe master furniture for this project was acquired by Gamper from an antique dealer. Unwanted by the former owner and left to anguish like neglected rootstock, the pieces were in poor condition. Once they were safe in the studio, Gamper measured, photographed, disassembled and then digitally re-drew these prototypes long hidden in view in mothball obscurity.\u003c\/p\u003e\n\u003cp\u003ePublished by: Dent-De-Leone\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMeasures: 15cm x 21cm\u003cbr\u003ePages: \u003cspan data-mce-fragment=\"1\"\u003e32 + 4 page cover\u003c\/span\u003e\u003cbr\u003eBinding: Softcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42548946763951,"sku":"BOOK-INNESTO","price":36.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/files\/Innesto_Cover.jpg?v=1684479852"},{"product_id":"every-colour-by-itself-francis-upritchard","title":"Every Colour By Itself, Francis Upritchard","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eWhat is exciting is that in its second edition, it has shrunk to an actual ladybird book (first edition being like a National Geographic). It is stuffed with 96 pages of incredibly colourful fluorescent pictures of naked men and ladies sculptures by Francis Upritchard. As sculptures have a tendency to show a unique view in publications, they decided to go full frontal and backside for most, side view for some.\u003c\/p\u003e\n\u003cp\u003ePublished by: Det-De-Leone\u003cbr\u003eSize: 11.4cm x \u003cspan data-mce-fragment=\"1\"\u003e17.2cm\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages:\u003cbr\u003e\u003c\/span\u003eBinding: Hardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42549161001135,"sku":"BOOK-BACBKS-EVERYCOLOUR","price":54.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/files\/FRONT-COVER_da3dce74-f0dd-42f1-ac57-65ff778277e8.jpg?v=1684480608"},{"product_id":"fields-of-sight-gauri-gill-rajesh-vangad","title":"Fields of Sight, Gauri Gill \u0026 Rajesh Vangad","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eFields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill’s initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct ‘chameleon-like’ skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems.\u003c\/p\u003e\n\u003cp\u003eIn the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. ‘As though one were photographing an old home, and the resident of the house came out, and began to speak’.\u003cbr\u003e\u003cbr\u003ePublished by: Edition Patrick Grey (Zurich)\u003cbr\u003e\u003cspan\u003eMeasures: 29 x 21 cm\u003cbr\u003ePages: 372\u003cbr\u003eBinding: Hardcover\u003c\/span\u003e\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42552070373551,"sku":"BOOKS-FIELDS-OF-SIGHT","price":185.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/files\/FIELDS_OF_SIGHT_1.jpg?v=1684824822"},{"product_id":"fievre-ronan-bouroullec","title":"Fièvre, Ronan Bouroullec","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eRonan Bouroullec has always drawn daily. A pure artistic practice that he considers autonomous from the profession for which he is internationally recognized. But if there is a porosity between these two sides of his activity which feed each other, Ronan Bouroullec considers drawing as essential to his balance. Fièvre coincides with the exhibition \u003cem\u003eDessins Quotidiens\u003c\/em\u003e at l’Hôtel des Arts in Toulon, France. With nearly 300 works (drawings, bas-reliefs and notebooks) presented in the exhibition, he reveals a small part, still little known, of his creative talent: a tiny part compared to the thousands of drawings he all keeps, but rich enough to illuminate this very intimate facet of the personality of one of the most talented French designers of his generation.\u003cbr\u003e\u003cbr\u003eRonan Bouroullec (b. 1971) and Erwan Bouroullec (b. 1976) have been working together for more than twenty years now. Their collaboration is a permanent dialogue nourished by their distinct personalities and a shared notion of diligence with the intention to reach more balance and fineness. Their work has covered many fields ranging from the design of small objects as jewellery to spatial arrangements and architecture, from craftsmanship to industrial scale, from drawings to videos and photography. They have collaborated with leading companies such as Vitra, Cappellini, Issey Miyake, Magis, Ligne Roset, Habitat and Kréo Gallery. Ronan and Erwan Bouroullec’s designs are part of the permanent museum collections of the Museum of Modern Art in New York, Centre Pompidou in Paris, the London Design Museum, the Lisbon Design Museum and the Boijmans van Beuningen Museum of Rotterdam.\u003cbr\u003e\u003cbr\u003ePublished by: \u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003eAntenne Books\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMeasures: \u003cmeta charset=\"utf-8\"\u003e19.5 x 25.5 cm\u003cbr\u003ePages: 16\u003cbr\u003eBinding: Softcover\u003c\/span\u003e\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42552098455727,"sku":"BOOKS-FIEVRE","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/files\/FIEVRE_1.jpg?v=1684901446"},{"product_id":"ready-to-articulate-mark-gonzales","title":"Ready to Articulate, Mark Gonzales","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe artworks crackle with movement fittingly – Mark Gonzales is a dancer, in the tradition of Merce Cunningham or Trisha Brown, but on wheels. His teenage years in 1980s Los Angeles were spent traversing the streets, which, by proxy, became his moving canvas. He earned a reputation as a pioneer of modern skateboarding – a master, albeit one not bound by flawlessness or precision, but the anarchy afforded only after achieving true mastery. It was as if he haphazardly broke the laws of nature, causing time and space to bend to him, leaving a wake of influential agitation behind him.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHis art, like his poetry, is not separate from his skating. Gonzales’s canvases are filled with painterly technique honed over years of drawing and painting, but they also exhibit a shambolic quality; the works are precise and imprecise all at once. This particular body is inspired by the disappointment he felt when his business partner 'sold out' in the early 1990s, the faces are bursting with bitterness. They are put-on fake smiles, cheerful in the face of misery and embarrassment. Years later, however, the harsh cynicism has softened, and the power of the smiles seems to have cracked the regret. Indeed, Gonzales seems to be saying, flowers, grown in even the harshest of conditions, can have an immutable healing power.\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003ePublished by: Nieves (Zurich)\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMeasures: 28 x 24.5 cm\u003cbr\u003ePages: 128\u003cbr\u003eBinding: Softcover\u003c\/span\u003e\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42552153505967,"sku":"BOOKS-READYTOARTICULATE","price":54.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/files\/READY-TO-ARTICULATE-Cover.jpg?v=1685412862"},{"product_id":"detroit-franziska-klose","title":"Detroit, Franziska Klose","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFranziska Klose's book, \u003c\/span\u003eDetroit,\u003cspan data-mce-fragment=\"1\"\u003e presents the contemporary urban landscape of this de-industrialised city as an overlay of social and natural history. The slogans 'ruin porn' and 'future city' are currently being used in the media to describe what was once celebrated as the 'Motor City'. In her photographs and texts,\u003c\/span\u003e Klose\u003cspan data-mce-fragment=\"1\"\u003e describes a landscape absolutely consumed by industry, its structure a manifestation of social inequality, despite all the conjurations of an imminent economic boom. The story of the 'comeback' is set against land speculation and water shut-offs and contrasts with the emergence of a potential post-growth society based on urban agriculture and individual autonomy.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003ePublished by: Spector Books (Leipzig)\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMeasures: 23.7 x 30.3 cm\u003cbr\u003ePages: 192\u003cbr\u003eBinding: Softcover\u003c\/span\u003e\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42552186503343,"sku":"BOOKS-DETROIT","price":82.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/files\/DETROIT-Cover.jpg?v=1685413909"},{"product_id":"architettura-attenuata-ettore-sottsass","title":"Architettura Attenuata, Ettore Sottsass","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eEttore Sottsass\u003cspan data-mce-fragment=\"1\"\u003e (1917–2007) was an architect and designer, labeled the godfather of Italian design. Born in Austria and based in Milan, Sottsass studied architecture at the Politecnico di Torino in Turin. After spending most of World War II in a concentration camp in Yugoslavia, Sottsass returned to Italy, where he set up his studio.\u2028\u2028 In 1958, he was hired as a design consultant for the Olivetti company, a position he held for more than 20 years. While there, he produced many designs, including the Elea 9003 computer and the red plastic Valentine portable typewriter. His aim was to produce objects that went beyond typical consumerist products.\u2028\u2028\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs Sottsass distanced himself from pure functionalism, he started experimenting with designs that had social and historical components. During this time, Sottsass became a leading figure in the Radical-Design movement. In 1981, Sottsass led a group of designers who came to be known as the Memphis group. This group experimented with colors and materials, creating multifunctional pieces and breaking with convention. Their new materials included neon, unusual finishes, and patterned plastic laminates. After Memphis, Sottsass continued to produce provocative work, constantly challenging the accepted practices of the day. He also established the architectural firm Sottsass Associati, with the aim of producing large-scale designs.\u2028\u2028\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSottsass’s work has been the subject of retrospective exhibitions at the Centre Pompidou in Paris, the Los Angeles County Museum of Art, and the Design Museum in London, among others. His numerous awards included the title of Office of the Ordre des Arts et des Lettres of the French Republic in 1992, an honorary degree from the Rhode Island School of Design in 1993 an Honorary Doctor of the Royal College of Art in London in 1996, an Oribe Award in Japan in 1997, and a Sir Misha Black Award in 1999.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003ePublished by: Nieves (Zurich)\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMeasures: 19.5 x 25.5 cm\u003cbr\u003ePages: 16\u003cbr\u003eBinding: Softcover\u003c\/span\u003e\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42552204394671,"sku":"BOOKS-ARCHITETTURA","price":38.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/files\/ARCHITETTURA-ATTENUATA-Cover.jpg?v=1685415270"},{"product_id":"reader-constance-dejong","title":"Reader, Constance DeJong","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eReader\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the first anthology to gather Constance DeJong’s diverse body of writing. Spanning from the 1970s to the present, the publication features eighteen works by DeJong, including out-of-print and previously unpublished fiction, as well as texts emanating from her new media sculptures, sound works, video works, and public art commissions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn influential figure of the 1970s and ’80s downtown New York writing and performance scene, Constance DeJong has channeled time and language as mediums in her work for the last four decades, expanding the possibilities of narrative form and literary genre. From the earliest text collected here—a manuscript of DeJong’s 1982 prose text \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eI.T.I.L.O.E.\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e—to the digital project \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNightwriters\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e(2017-18), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eReader\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003ecollects a range of experimental texts by the artist. The volume includes such works as the 2013 publication and performance, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSpeakChamber\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and the script for \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRelatives\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1988), a duet between a television and a performer made in collaboration with artist Tony Oursler. Never-before-published works including texts created for re-engineered vintage radios, aphorisms commissioned for a Times Square digital billboard, and transcripts for sound works originally installed along the Thames and Hudson rivers are also collected in the book.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTaken together, these works showcase how DeJong has helped define and push the boundaries of language in the visual and performing arts. The artist’s sustained exploration of language blurs the lines between many fields, and DeJong’s work has also had a long life in the literary world. In the late 1970s, she self-published the critically acclaimed novel \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eModern Love\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e on her short-lived Standard Editions imprint. On the 40th anniversary of the novel’s original publication, the book was published in facsimile form by Primary Information and Ugly Duckling Presse, and has gone on to sell over 10,000 copies since its publication in 2017.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003ePublished by: \u003cmeta charset=\"utf-8\"\u003ePrimary Information (New York)\u003cbr\u003eMeasures: \u003cmeta charset=\"utf-8\"\u003e15 x 23 cm\u003cbr\u003ePages: 216\u003cbr\u003eBinding: Softcover\u003c\/p\u003e","brand":"Pan After","offers":[{"title":"Default Title","offer_id":42552287953071,"sku":"BOOKS-READER","price":48.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/7376\/8801\/files\/READER-Cover.jpg?v=1685420035"}],"url":"https:\/\/panafter.com.au\/collections\/books-1.oembed?page=3","provider":"Pan After","version":"1.0","type":"link"}